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An identity taken from light on a stone brow.

David Arroyave is an artist, a trader and a coach with a book to sell, and all three were being introduced by the same blank page. The mark, the type system and the palette all come out of one photograph.

Client David Arroyave
Role Brand identity, logo, art direction
Year 2026
Status Guideline in progress
The David Arroyave brand proposal cover: a teal-lit stone Buddha face behind the stacked-arc lid mark and the name David Arroyave, Brand Identity Proposal

The proposal cover — approved by David for portfolio use

01Problem

Three practices, one person, no way to tell they belonged together.

David paints, trades, and coaches, and he had a book coming. Each of those arrives in front of a different audience with a different level of scepticism — a gallery visitor, someone weighing a trading mentor, a reader picking a cover off a table.

There was no identity holding them together. Every post, cover and deck started from nothing, so each one looked like a different person's work, and the one thing that should have been obvious — that the painter and the coach are the same man, and that this is the point — was the thing nobody could see.

The brief was not a logo. It was a system durable enough to carry a signature on a canvas, a chart annotation and a book spine without any of the three looking borrowed from the others.

02Approach

Start from one image, and refuse to add a second idea.

The identity comes from a single photograph: teal light falling across the brow of a stone Buddha. It already held everything the brand needed to say — stillness, weight, a face half in shadow — so the work became extraction rather than invention.

The mark is the lid. The arc of the eyelid in that photograph, stacked and repeated, reads as a lowered eye, as layered strata, and as a chart's stepped levels, depending on which of David's three practices you are looking at it in. One form, three readings, no symbol bolted on for any of them.

The palette is sampled from the photograph rather than picked from a wheel — the cool blue of the lit side against the near-black of the shadowed stone — which is why it sits on a photographic background without fighting it. Type is set quietly: the name in a restrained sans with generous tracking, so the mark is always the loudest thing in the lockup.

01 Primary markStacked-arc lid form, derived from the source photograph
02 LockupsMark with name, stacked and horizontal
03 PaletteSampled from the photograph, brand blue #1B2BD8
04 Type systemOne family, roles fixed by weight and tracking
05 Art directionHow the mark sits on photography across the three practices
06 Guideline documentIn progress — the deliverable David keeps
Construction of the lid mark: a circle flattening into a line, drawn as five arcs on a measured grid Lockup construction: the mark nine units tall, a three-unit gap, and the wordmark drawn against cap, x-height and baseline guides Type scale: Plus Jakarta Sans for display through label, Instrument Serif Italic reserved for quotes Colour palette: Saffron accent, Ultramarine and Void cores, Stone and Light neutrals, with hex and RGB values

From the brand presentation — construction, lockup, type and palette

03Result

One mark that survives a canvas, a chart and a book spine.

The mark, palette and type system are approved and in use, and David has cleared the work to be shown here. He gained 50 followers in the first month carrying it.

The bigger change is what it let him do next. With a guideline to work against he is now shooting video inside the identity rather than deciding the look shot by shot, which is what turns a scattered feed into something that reads as one person selling one thing. The written document — the part that makes the system usable by whoever he hires after me — is still being finished.

+50
Followers in the first month carrying the identity
3
Practices carried by one mark — painting, trading, coaching
1
Guideline now directing how every video is shot
Scope

Mark, lockups, palette, type system and art direction. Written guideline in progress.

Brand identity Logo design Art direction
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